Tuesday, February 21, 2012

Just when you say no more...

I get moody, I get fed up, I say "...no more..."  I will never paint again, I have no energy...I cannot face the challenge of a blank piece of paper and pretty colors after a day in corporate America.  No more.  I want to be normal and watch reruns of Gilmore Girls and Sex in the City and eat Cheetos (I love Cheetos and not the baked ones, thank you very much) when I get home.  Screw the artwork.  Then I get into an exhibit.

The exhibit is opening on April 24 in the Garden House Gallery in Leu Gardens, downtown Orlando. Watercolors in a botanical theme is the work that will be shown.  My painting, "Wild Oranges" was accepted in the show.  I found these little citrus globes of color on  back dirt road in Volusia County, Florida -- I wondered how they got there and how long ago they had been planted...

Come to the opening on 4/24 at Leu Gardens from 5:30 to 7:30 pm if you  live in the area -- would love to meet you-- it's all about the audience and that keeps me working!


"Wild Oranges"
Watercolor
Krys Pettit

Monday, February 20, 2012

Morris Island Light


"Morris Island Light"
Krys Pettit
Watercolor on Paper



Morris Island Light, decommissioned and eroding, still manages to stand tall on what remains of Morris Island north of Folly Beach in South Carolina.  Once secure on an island with buildings and shelter for the lighthouse keeper and a family, jetties constructed in the late 1800’s began a slow, eroding death of the land mass that supported it.  Constructed in 1876 and eventually decommissioned in 1962 is still stirs the imagination and touches artists, lighthouse fanatics and vanguards of historic preservation.  I have painted many lighthouses and the one I cannot stand next to is the one that intrigues me the most – lonely, abandoned, and at some point possibly being claimed by the sea it observed for some many decades..
Learn about the efforts to keep this chapter lighthouse and Southern history from completely disappearing:
http://www.savethelight.org/.




Sunday, February 12, 2012

Abstract...how do I abstract?

"One Year Later"
Watercolor on Yupo
Krys Pettit


How the devil do I abstract?  How do I take the normal, representational of the last x-number of years and turn it around -- dissect, take it apart? I have no idea.  Paint, water, a surface that does not lend itself to the medium I choose...maybe that is a start.  No photos to copy from, no pre-sketching,  A memory, a thought, water, color, instant gratification.  Fond memories of Boynton Canyon, outside of Sedona.  Not sure I did the beauty justice...

Wednesday, January 25, 2012

The Elegant Elderly Gentleman

One more trip to the street market in Athens ...
This is a a quick pencil study of an elderly gentleman I found waiting patiently at a stall at the market in Athens, Greece those many years ago.
He was dressed elegantly in a dove grey suit -- a bit frayed, a bit large.  He did possess an air of forgotten style among the rest of us in jeans, sweatshirts and miscellaneous street clothes.
My next challenge -- a watercolor painting of him.  For now the pencil sketch will continue to nag me to get to work on him as it hangs on the wall in the studio.



Sunday, January 22, 2012

The Old Woman in the Market

Some years ago I had the opportunity to take a trip to Greece and Turkey -- many days, many airports, many experiences which all continue to contribute to my artwork.  I loved the typical touristy vistas but as always I was drawn to what the normal flow of a community is. I prowled the grocery stores, cafes, the corner markets, the local kitchen and dry goods shops.  In a lot of instances I found packaging and products all look the same around the world. But I adored the street markers and bazaars best--the everyday hum and flow of people, produce and profit.

Off to the side in the street market in Athens near the Plaka I saw an elderly woman hard at work at her vegetable stand.  She concentrated on each lettuce leaf examining for spots, rot and the possibility to salvage what she could to sell.  She was neither perfect nor beautiful.  And neither was the market -- jumbles of smells, produce, meats, grains under various tents and shelters. She did, however, have a certain amount of entrepreneurial determination that I loved.  On this grey, wet day I had a great adventure and a memory that I always try to capture on paper ... and never exactly the way my memory tells me it should be.

 Below are the studies and the finished product to my most recent (an oddly enough untitled) painting--I trust I did her and her product some justice...

This first is color study I did almost a decade ago.  I was not please with my figurative work back then -- frustrated actually, hating the attempt so I stuffed it away always wishing I could do better...





Years later I felt braver and pulled her back out ... and began working on the face, the most difficult part for me.  I am still not convinced I have gotten any stronger with my portrayal of people but I want to be able to capture that unspoken element of a person  ... and refuse to give up on it (I have been told I am stubborn...it's true)


I tip-toed into the color study of her face...the values were weak but yet I was so proud of myself, able to execute this in a very short period of time -- trying to use the immediacy of watercolor at its best.  She appears to take on a different persona each time.  I suppose it is the beginner's learning curve.  Of all these images, I like this one the best...I believe it came closest to representing her.



Final finished watercolor -- it was a challenge to balance the dark values and colors and yet keep her as a focal point.  And her face -- again slightly different. Truthfully I was thankful to stop fiddling with it--it wore me out.  An absolutely great learning experience but I still feel like I have another version to create of this scene.  My favorite parts of the painting -- actually I love the umbrella!  Someday I hope I will create her face and truly love that.

Thursday, January 19, 2012

John Singer Sargent -- master watercolorist

Sargent may have been the portrait painter for the Edwardian era, but what I love most about his work are his watercolors -- they continue to inspire and teach.  The freshness and lushness of  his work seems so contemporary -- ahead of his time for use of paint, water and paper in the field.  

 Spanish Fountain
Watercolor
Metropolitan Museum of Art, New York 

Learn about about Sargent at this link:


And if you like a little scandal (and what is good art without scandal), read about the infamous Madame X...



Madame X (Madame Pierre Gautreau) 
Metropolitan Museum of Art




Monday, January 16, 2012

Andrew Wyeth



Hope the journey leaving was a kind one...

"Seed Corn"  Andrew Wyeth
July 12, 1917– January 16, 2009